If you go
What: “High Fidelity” followed by talk by actor John Cusack
When: 7:30 p.m. Saturday
Where: Embassy Theatre, 125 W. Jefferson Blvd.
Admission: Tickets start at $42.50; Embassy box office, 1-800-745-3000 or Ticketmaster.com
John Cusack will answer audience questions live at Embassy Theatre on Saturday after a screening of his 2000 movie “High Fidelity.”
The actor will also give a behind-the-scenes look at the movie and talk about his career.
In a phone call with The Journal Gazette, Cusack says the screening is a chance for the audience to see the comedy and hear its soundtrack of more than 70 songs again in a crowded theater.
“They've been pretty fun and rowdy, these screenings,” he says. “I hope that continues and that people just have a fun night out and let loose a little.”
The event is part of The Backlot Project, which stages screenings and conversations with stars. Cusack is also touring with Backlot presentations of “Say Anything” and “Grosse Pointe Blank.”
In “High Fidelity,” Cusack plays record store owner Rob Gordon who is on a search for love. He revisits past relationships in an effort to figure out what went wrong.
Cusack, 52, says he is happy that audiences still want to enjoy the movie and others he has worked on in a career that spans four decades and more than 70 movies
The following conversation has been edited.
Is there anything you credit for your longevity in the movie business?
Cusack: I think some of it's just luck, and some of it is I started so young that you can have peaks and valleys and dips in your career.
I already had two or three of those peaks and valleys, even in my 20s. So you tend not to take them too seriously. Sooner or later you find a way to express yourself in a way that's good and find a good role or get a project off the ground. But sometimes it doesn't happen when you expect it. There's no linear, rational way to describe it.
Has the way that you choose projects changed?
Cusack: The business has changed a lot. It might be a function of age, too. When I was younger, the way the system worked was you would do a commercial film for the studio, then you could leverage that to make an artistic one for you. Then it became more like you do three for them, one for you. And then it's like all for them and none for you. That's sort of what it's like now. (laugh)
There used to be a little bit more freedom in the film business. And I guarantee that all those movies that are trying to get Academy Awards, they're leveraging actors to do them for the lowest budget possible, and then the actors go do superhero movies to pay for their equity. So it's just changed a lot.
I think the space I used to work in in film is probably the space that is now in TV.
Does that damage the art?
Cusack: I don't know. There's different ways to tell stories. Long-form TV is certainly really good, some of it.
It's a very different medium. It allows you to go a little deeper.
Cusack: Yeah, there's lots of times I make a film and I say, “I wish I had two films to do this story.”
Though with TV, you say “This will be great over six, seven, eight hours,” but then they want you to do it over three years, so you end up doing some soap opera elements to fill in the story. That's why things like “Breaking Bad” that are so brilliantly done over such a long period of time are kind of rare and inspiring.
Have you ever considered TV?
Cusack: I've never done TV, so I've never gotten to do that sort of episodic format. But we'll see.
Is there anything from “High Fidelity” that you carried with you from or to other projects?
Cusack: By the time I'd made that movie, I'd done a bunch of movies already and produced some and done theater, so I think I knew how to create an environment where actors can feel really safe and feel free.
Looking back, I'm proud of how we took care of all the actors, and it shows in the movie where every last role shines. Every actor that is onscreen is really good, so that's what I remember is that we were able to create a vibe where people could excel.
Here in Fort Wayne, we have a big push right now for public art. So if there were a mural about John Cusack, what would you hope it included?
Cusack: I hope to God there wouldn't be a mural on the side of a building about me! I don't even know how to think of a mural of me.
Just a giant picture of your face?
Cusack: I don't know, maybe. If it was a character in a movie that people liked, that would be OK.