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Book facts
Diary of a Stage Mother’s Daughter
by Melissa Francis
(Weinstein)
292 pages, $26

Bad mom dominates chilling memoir

“Find your own way home. And another place to live while you’re at it.”

With that, Melissa Francis’ mother pulls over to the side of the road and pitches her out of the car.

Melissa runs on to a golf course that abuts the street, crawls into the underbrush and takes a long, refreshing nap.

“What did I want?” she asks. “An apology from her for throwing me out of the car? Maybe just an end to the domination.” At any rate, Melissa finally walks home, strolls into the kitchen and casually makes a peanut butter sandwich.

She’s right in her calculations; her mother hasn’t told anyone about the incident. Melissa’s family jogs on, living a semi-Hollywood life. Her father owns a small business, and her mother has dedicated much of her life to pushing her children in the world of TV commercials: “She was mercurial, domineering, but also devoted.”

The author, a Fox Business Network anchor, isn’t kidding. Terrible things are going to happen in this superb family memoir. An untimely death occurs. Money gets stolen or misappropriated. Tantrums are pitched. Emotional war is declared. The mother stands at the center of this dynamic. For days, weeks, months, she is inert. The mother lies on her bed, working herself into a foul mood, and when she gets there, watch out.

On one memorable occasion, she kidnaps the neighbors’ old dog and drops it off as a stray at a pound in another city, where it’s sure to be put down.

Another time, she takes a hammer to an offending car in a parking lot. All of this raises the question: What is evil and what is mental illness? What must this awful woman’s children do to save their own lives?

Luck and chance intervene on behalf of Melissa. She’s offered an ongoing part as one of Michael Landon’s youthful charges on the TV series “Little House on the Prairie.” For once, she and her mother share the same agenda. Melissa’s mother has every reason to keep her daughter happy, and Melissa is more than happy to be the center of attention and treated with respect.

Poor Tiffany, her elder sister, can’t or won’t live up to her mother’s expectations. She gets fewer commercials, begins to drink and hang out with the wrong kids. Her mother, a natural predator, pounces on her mercilessly.

Melissa, as strong as her mother, battles to go to Harvard. Her parents tell her repeatedly that there isn’t enough money, but, if so, where did her TV earnings go? Her father responds with a stunningly passive-aggressive performance. These adults are truly baffling, insisting first on success and then on failure. They want control. Or is it money? Or simply their children’s ruin? This book can be sickening in its implications. A little love would be in order here, but that’s what none of them would seem to have in abundance.

Carolyn See wrote this review for Washington Post Book World.

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